Tag Archive | self-employment

Antique Noritake

I just had to share these beautiful plates.  They are hand painted Noritake made in Japan.  The porcelain is thin and fine with gorgeous encrusted gold floral crests and scrolls.  The hand painting is amazingly well done.  The plates measure 7.25″ in diameter.  They have minimal utensil wear and some loss of gold to the center and rim bands.  I don’t know how a human could create such meticulously perfect detailing.  The scrolls are all so uniform.

The backstamp is in red and dates to right around 1918, making these plates antiques next year.  I was surprised to find the beauties in a thrift shop.  They were a set of three, but one had a good-sized chip.  I made that into a very fancy underplate for one of my african violets.  The other two plates are for sale in my eBay shop.

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Antique Atterbury Milk Glass Plates

Last week I had the good fortune to discover this set of four delicate white milk glass plates at a thrift store.  It is amazing that such breakables have survived with no chips or cracks.  The pieces were made by Atterbury Glass of Pittsburg, PA.  They are marked on the backs with a capital A.  Atterbury was in business from approximately 1859-1902.  So these plates are antiques.  They appear nearly new with just the slightest scratch here or there from a utensil.

The beautiful open-work borders with their S-shape are so prone to breakage that I was very careful to examine the margins for hairline cracks.  My eyes are getting old, but I don’t think I missed any damage.  This sort of work is termed Early American Pressed Glass, EAPG.  It can be distinguished from later glass by the imperfections inherent to the material.  The glass will have flow lines, straw marks, tiny trapped bubbles and roughness around the edges where the pieces were knocked out of the mold.  As time passed and glass manufacture became more technically advanced, these mars were eliminated.  Thus, in this case the age of a piece can be told by its blemishes.

Atterbury produced tons of milk glass, the company was renown for it.  Some of their most popular pieces included hens and other animals on nests covered dishes, cups, and lacy open work pieces.  This S-shaped lace design has a decided gilded age feel to me, perhaps produced sometime in the 1880s.  This is just a guess.  Information about the company’s production, and especially the marks used, is very limited.  After the company went out of business, some of its molds were apparently sold.  Westmoreland Glass later made an identical pattern under its own mark.

Included in the set are three dinner plates measuring 8 3/8″ square and one salad plate at 7 3/8″.  I paid less than one dollar per piece and hope to realize a sale price of ten dollars each in my online shop.  The last similar one sold for $9 and it was a single plate.

Vintage Hull Art Pottery Bowknot

This recent thrift shop find is a rare sugar bowl by Hull Pottery in the Bowknot or Bow Knot pattern.  It was made between 1949-1950.  This short production run is likely why such pieces are hard to find.  Hull began producing art pottery in the 1920s and by the time this was made they were in their art heyday.  I love the organic lines and lovely muted colors of this pattern.  And who can resist the adorable bow on top?

This is a large sugar bowl, measuring about 5″ high with the lid.  The base can hold a lot of sugar, at least a couple cups!  The sugar bowl is part of a set that includes a teapot and creamer.  Due to the rarity, these pieces can get pricey.  The glaze is called matte but feels smooth and satiny to me.

My find has a 1/8″ chip in the foot and light, fine crazing over most of the body inside and out.  Crazing usually occurs when the glaze and body cool at a different rate after firing.  The glaze shrinks too quickly and something has to give.  I actually do not mind crazing most of the time.  When stains get into the craze, I’ve found that soaking in a strong bleach bath will greatly reduce the stain.

This is what makes scouring thrift shops, flea markets and yard sales such a fun adventure.  I acquired the piece for less than $6, cleaned it up a bit, and have it listed for sale for $30.  A somewhat nicer example with less crazing and no chips sold for nearly $70 recently, so fingers crossed!

Restaurant Ware

Restaurant ware is a broad range of dishware that is produced specifically for use in…you guessed it…restaurants.  It is appropriate for many industrial or institutional purposes such as cafeteria or hospital use.  Much of this ware was made for railroad dining cars.  Patterns were created and reserved specifically for certain establishments.  Military officer’s tables are graced with dishware bearing specific service logos.  Many restaurants have their own logo ware.  Organizations and clubs also invest in tableware bearing their emblems.  Collectors build sets of restaurant ware and some pieces, especially older or rare ones, command high prices.

My own restaurant ware interest is in Syracuse China Dogwood pattern.  Some of my pieces are pictured above.  This design, with the scalloped edge is on the Winthrop body shape.  There is also a plain, straight rim with the same decoration that I’m not opposed to collecting.  I love the dogwood blooms.  It is one of my favorite flowers.  Reminds me of the beautiful little spring-flowering dogwoods brightening the dark woods of my North Carolina childhood.  This pattern was used by the Norfolk and Western railway in their Roanoke Hotel restaurant.  The 10-KK date code corresponds to Oct. 1956.

Buffalo China Windsor cup and plate

Buffalo China Estoril plate, cup and saucer

There are and were many American manufacturers of restaurant ware.  Some big names include Syracuse, Buffalo, Shenango, Homer Laughlin, Mayer, Jackson, Wallace and Tepco.  Their products were thick, heavy weight vitrified china.  This material could withstand the hard commercial use without chipping, cracking or crazing.

Comcor by Corning, ceramic glass, rope design, pattern name unknown to me

Corning produced lines of restaurant ware using their ceramic glass formulas and these products were also much thicker and heavier than household dishes.  Restaurant ware is produced in many other countries and there are avid collectors of non-US varieties of dishware.

Sometimes the pieces from particular establishments are prized or certain shapes such as platters.  I have a fondness for bouillon cups.  They are so cute! Vintage ware from closed potteries is popular.

Homer Laughlin cups with an airbrushed mauve-gray rim band

Shenango salad plate, I have not been able to identify the pattern name

Jackson China bouillon cup, black scrolled pattern, name unknown to me

In my online shops on eBay and Etsy I currently have a small selection of restaurant ware.  Most of the pieces for sale are by Buffalo China or Syracuse.  There are a smattering of offerings from other manufacturers as well.  Restaurant ware is a strong, perennial seller.  Collectors look for examples that are in the best condition possible.  Since the dishes have likely seen service, most will carry use marks, usually utensil scratches and rubbed areas from stacking.  Pieces with light to minimal signs of use are often listed at premium prices.  Rare shapes or patterns can cause bidding wars.

Whenever I come across a restaurant dish in good condition, I snap it up it knowing it will sell.

Vintage Enesco Unicorn Music Box

I found this lovely vintage hand painted porcelain music box at a thrift store for less than $2.  It was coated in a brown veneer of cigarette tar from spending a couple decades in a smoker’s home.  Probably due to the very dirty condition, no one had given this gorgeous piece a second glance.

The music box is from 1988 and is a rare holiday edition from a series called Elusive Legend by Enesco.  It was made in Taiwan and measures 7.75″ high.  The music is Carol of the Bells.  This piece is exquisitely modeled and carefully painted.

Enesco started in 1958 as a subsidiary of N. Shure Co. (NSCo, sound it out!)  It was the arm of the company that imported items, mostly from Asia, for sale in the US.  The musical movement works perfectly and the porcelain has no damage.  The metal music box itself is by Schmid, a manufacturer renowned for high quality.

I spent about one-half hour carefully cleaning the smoker’s build-up.  The mess needed to be removed without getting any water into the metal workings.  Once I saw how beautiful it was, I wanted this for myself.  I’m a huge fan of anything horsey.  Then I checked the value.  This item is rare and sought after.  It is worth about $200.  Sadly, I must sell the little unicorn, I can’t afford such an expensive bit of decor.  I’m sure it will go to a very deserving person.  The piece is in my eBay shop.

 

Old Limoges Plate

I found this old Haviland dinner plate at an antiques mall for $3.  The plate dates to the early 20th century.  It was made in France and imported to the USA by Mellen & Hewes of Hartford CT.  I listed the plate in my eBay store on auction.  The sale ended tonight with some feverish last minute bidding that reached $42.

Such a beautiful piece, I’m not surprised that several people wanted to add it to their collection.  The plate is very lightly used, in excellent shape for such old porcelain dinnerware.  The transfer floral pattern has been embellished with hand applied porcelain paste to give depth.  The rim is encrusted in gold.

There are a very few light utensil scratches and some wear to the gold along the tops of the beads.  Otherwise the plate looks much as it did almost one hundred years ago when it left France.  The back stamp indicates the piece was made by GDA (Gerard, Dufraisseix, Abbot,) the company that bought a portion of the Haviland porcelain works.  The piece was made in Limoges, an area of France famous for porcelain production.  The import company who brought the tableware into the US was active in the early 1900s.  Mellen and Hewes was a successful and influential company in their day in Hartford.

I very much enjoy the sport of hunting for hidden treasures.  Little bits of history such as this plate are often overlooked and sold for a pittance.  When the piece is identified and brought to the correct market, its true value is recognized.   The excitement for me is discovering how much my find is really worth.

 

Vintage Beaded Clutch Purse

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I wanted to show this particularly nice vintage beaded clutch that I recently discovered in a thrift shop and have listed in my eBay store.  Over the years I have found and sold several beaded purses.  This is one of the most elaborate so far.  The front is completely encrusted with red-gold colored sequins, each with a tiny gold bead sewn in the center.  Over the sequins is sewn a pattern of flowers all in gold beads.  The beads are on pale yellow satin.  The reverse has a geometric pattern in gold beads.bead4

As you can imagine, all the beading gives this little purse a fairly substantial feel in the hands.  Beads are heavy! The interior is more of the yellow satin and there is a small pocket for a mirror.  The clutch folds to close and is held with a snap. bead5
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The condition is amazing!  This bag was likely made in the late 1950s to 1960s.  The label reads Richere Bag by Walborg, hand beaded in Hong Kong.  Walborg was a company founded by Hilde Weinberg in New York City in the late 1940s.  She originally worked as a vice president for a cosmetics manufacturing firm and resigned in 1949 to study the handbag business for eighteen months before establishing her company.  Walborg Corp. continued under her ownership until 1971.bead7

Beaded purses were especially popular in the 1950s.  Their production was first done in Europe.  Manufacturers moved to Asia when labor there was found to be less expensive.  The beading was performed in Japan and Hong Kong and later in China.  Richere  is one of several well known names in this particular style of purse.  Small clutches mostly served as evening accessories or were taken to special functions such as weddings and fancy parties.  The intensive labor involved in producing such finely detailed work meant the purses were expensive status symbols.

Today beaded clutches are enjoying popularity again, especially among brides looking for a unique vintage design.bead3

This clutch appears in excellent vintage condition.  The beading is intact, somewhat amazing considering the fragile nature.  The piece is quite clean, with just a bit of smudging on the satin around the snap.  Often these purses are found missing portions of the beading or with serious stains.a1

Here is another beaded purse currently in my online shop.  It is a more modern design, most likely from the 1970s.  There is no maker’s label.  The pretty pattern on this red satin clutch is two-sided.  Another example of how hard some poor beader had to work to earn their wage.  I hope these workers considered themselves artists because to me a well-beaded clutch bag is a work of art.a2